Zakk hoped Ozzy’s New Years Eve shows would become an annual event

Zakk Wylde appeared on Full Metal Jackie’s weekend radio show the weekend immediately following Thanksgiving and spoke about how the Black Label Society has continued to evolve on their latest album, Doom Crew Inc., and even talked a bit about getting back on the road with Ozzy Osbourne.

Since joining the band in 2014, guitarist Dario Lorina has given the BLS sound a much needed boost as he and Wylde work together to explore more dynamic guitar passages, harmonies and even compromises on solos. . For someone as elite as Wylde, it’s an act of humility to share the pyrotechnic element of the band’s style and, while listing a multitude of influences, he kept coming back to one motif. – the song always comes first and the solos are the “icing on the cake.”

Read the full interview below.

Let’s talk about “Set You Free” and the corresponding video. It was the first track from the new album, which is original and fun. What made this type of visual perfect to convey this song?

We’ve been making tons of videos for years now. For this one, I wanted to piece together my prom from high school, so basically that’s what we did. We tried to capture the essence of this ball at Jackson Memorial High School in 1985.

Black Label Society, “Set You Free” music video

Speaking of Jackson, I don’t know if I’ve told you this before, but the first time I saw you live was in a bar in Jackson when I was living in New Jersey.

Wow. Were these close encounters? Stone pony?

I do not remember. It wasn’t the pony. It was a small bar, but I feel like it was the Price. I believe it was in the days of pride and glory.

Wow, very cool.

You’ve always been a standalone guitarist on Black Label Society albums, but now Dario Lorina is pretty much featured on Doom Crew, Inc. How does his guitar presence enhance these songs?

Dario has done this over the years. I just got him involved in the fun and the shenanigans – “Hey Dario, double the solo with me on this one and we’ll do it together” etc. Now it’s pretty much become a two-guitar band as far as something like The Allman Brothers or Judas Priest is concerned.

Come back to love Black Vatican Catacombs, I started writing guitar harmonies for solos and things like that. It’s just an extension of that. The more we play live … there is an extension of the guitar solos. On “Fire It Up” I would go out into the crowd and then Dario would come with me and then we would do these compromise solos together and everything like that.

So I involve it more and I have a good time with it. When I was writing the record, we were extending guitar parts or some intros that I did with his harmonies. I would just send the tracks to Dario’s studio and he would just say something about that section here. I just told him what the notes were and he knocked them out and it was done.

It’s just an evolution of what’s been going on since 2014.

Now I’m expanding guitar solos and stuff like that and that’s obviously going to lengthen the songs, so we have to do radio edits if it’s a single.

Every time I play the piano, he’s the one who always does the solos. At first it was always the need for another guitarist to be able to do other things, but now it’s just about having fun with it.

The Black Label Society is part of the metal community, but you’ve been influenced by people far removed from this neighborhood, like Andy Summers and Elton John. What is metal with musicians who don’t really play metal.

It’s just being a musician – you like all kinds of different things. I would never have been exposed to legendary jazz guys like Joe Pass or Pat Martino, John McLaughlin and Al Di Meola, but my guitar teachers said I should check these guys out.

You like all types of music. I could listen to Crowded House, Meshuggah, John McLaughlin Mahavishnu Orchestra, Dixie Dregs and then I will listen to new wave essentials and Flock of Seagulls. I’ll listen to yacht rock. I don’t care – if it’s good, it’s good.

Playing the guitar itself is completely different from writing songs. Who are your mentors who have taught you the dynamics of structuring a song?

For the heavy stuff, it would have to be Tony Iommi, that’s for sure. Even just doing Zakk Sabbath’s cover band, they’re like the Beatles or the Rolling Stones – they have really good songs. Just because Keith Richards is blazing up and down on the fretboard. That’s when everyone left – it’s King Edward. But there are songs there and the solo was the icing on the cake.

You love Ozzy and you’re going to see Ozzy originate the songs and then Randy Rhoads put this amazing guitar solo in the song and that’s the icing on the cake. When you went to see Led Zeppelin not everyone in that crowd was a guitarist and everyone loved the music. It always comes down to songs – always.

When I was a kid it was just Elton John and Black Sabbath, Led Zeppelin, The Allman Brothers, The Eagles, Bad Company, Lynyrd Skynyrd – it’s just great music.

Black Label Society, “End of Days” music video

Ozzy has been working on new music and plans to tour next year. What are you most looking forward to being able to perform new Ozzy songs that you haven’t written or recorded?

It’s been like that since I joined the band for the first time. I was doing stuff for Sabbath and then playing all of Randy and Jake.

I’ve always said playing with Ozzy is like being in the biggest cover band, but you can do your own thing too. I couldn’t wait to go back with the boss. We had a great time until he got injured. The last show we did was on The Forum on New Year’s Eve [in 2018] and I told him that we should probably do it every year. It turned out to be such a good time.

Mom – Mrs. Osbourne – was just saying we should probably do it every year when there’s some type of Ozzfest thing at the Forum or Ozzy can do it in different arenas every year. It was in the parking lot and all these other bands were playing – it was a deal all day. That was the plan before he got hurt.

Right now he’s working on doing his thing so we can bring his deadlift, bench press and squat numbers back to his world class records and get him back on the platform so we can break all of his records. previous ones.

Thanks to Zakk Wylde for the interview. Get your copy of “Doom Crew, Inc” from the Black Label Society here and follow the group on Facebook, Twitter, Instagram and Spotify. Find out where you can listen to Full Metal Jackie’s weekend radio show here.

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