Guitar tutorial – Mic Gillette http://micgillette.com/ Sun, 02 Jan 2022 23:52:16 +0000 en-US hourly 1 https://wordpress.org/?v=5.8.1 https://micgillette.com/wp-content/uploads/2021/08/icon-2021-08-02T161817.082-150x150.png Guitar tutorial – Mic Gillette http://micgillette.com/ 32 32 The Deep Purple lockdown was a ‘dress rehearsal for retirement’ https://micgillette.com/the-deep-purple-lockdown-was-a-dress-rehearsal-for-retirement/ Thu, 30 Dec 2021 13:18:09 +0000 https://micgillette.com/the-deep-purple-lockdown-was-a-dress-rehearsal-for-retirement/ Roger Glover describes Deep Purple’s coronavirus lockdown experience as a retired trial, but says they’re not ready to end things just yet. They recently released the cover album Turning to crime, which was a way of doing business when Deep Purple couldn’t tour or record together in the same studio. Glover says he felt “privileged” […]]]>

Roger Glover describes Deep Purple’s coronavirus lockdown experience as a retired trial, but says they’re not ready to end things just yet.

They recently released the cover album Turning to crime, which was a way of doing business when Deep Purple couldn’t tour or record together in the same studio. Glover says he felt “privileged” to be part of a group that still had momentum.

“I think we still have another ‘clean’ Purple album inside of us, but it was a big nostalgic dive for us,” he said. Classic rock. “In some ways, the COVID lockdown was like a dress rehearsal for our retirement. And while we all loved the opportunity to have all that extra time with our families, it’s clear that none of us are yet ready for a life without music and artistic expression. We have so much fun making this group.

They are well aware, Glover added, that Deep Purple “can’t last forever, but the idea of ​​quitting isn’t a good idea – and at the moment, it’s not a consideration.” It’s hard to explain exactly why we’re still here 50 years later, but with this new record being a wonderful reminder of why we do what we do, it’s a question we can keep answered another day. .

Drummer Ian Paice said Classic rock that the process of choosing tracks for Turning to crime, then recording them separately with producer Bob Ezrin, reminded him of his early days.

“This album is supposed to be fun,” he argued. “It’s a tribute… not always to the songs themselves, but to the spirit of the songs, which, when we were children, made us want to play rock’n’roll, to do it too. When I was a kid I remember buying a few Yardbirds singles, and boy, they were exciting. As if they were on stage, not in the studio. No one was careful or safe; it was as if someone had placed a few microphones in front of them and captured it. This rawness really manifested itself.

He noted: “And I tell you what, we also made a great record. When you put it on hard, it doesn’t half kick your ass! “

Top 100 Live Albums

Rock’s Top 100 Live Albums are more than just concert memorabilia or stage documents from that awesome show you saw last summer.

Jon Lord and Ian Paice were part of one of rock’s forgotten supergroups


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The LAVA ME 3 ‘Smart Guitar’ comes with its own built-in touchscreen which allows you to add effects and view tutorials https://micgillette.com/the-lava-me-3-smart-guitar-comes-with-its-own-built-in-touchscreen-which-allows-you-to-add-effects-and-view-tutorials/ Tue, 28 Dec 2021 21:53:08 +0000 https://micgillette.com/the-lava-me-3-smart-guitar-comes-with-its-own-built-in-touchscreen-which-allows-you-to-add-effects-and-view-tutorials/ Transforming the humble string instrument into a complete ecosystem, the LAVA ME 3 is easily the most advanced guitar you can get your hands on. As well as being a semi-acoustic guitar that works just as well as an analog instrument and a stand-alone electric instrument, the LAVA ME 3 also comes with its own […]]]>





Transforming the humble string instrument into a complete ecosystem, the LAVA ME 3 is easily the most advanced guitar you can get your hands on. As well as being a semi-acoustic guitar that works just as well as an analog instrument and a stand-alone electric instrument, the LAVA ME 3 also comes with its own dedicated touch pad panel on the top that gives you access to a host of features for both. amateur and professional use. Whether it’s just learning chords and playing the metronome or letting you create loops and add effects, the “smart guitar” has everything you need in a guitar … perform in a room or perform on stage.

Debuting just 7 months after the LAVA ME 2 was announced, the ME 3 sports the same iconic carbon fiber body with vibrant colors and the quirky acoustic chamber hole that makes the guitar so unmistakably memorable. Like its predecessors, the LAVA ME 3 sports an internal honeycomb structure that gives the guitar its strength (there’s no clash that bad boy on stage) while creating an acoustic chamber that emits a rich sound. and balanced when playing the instrument. However, the most significant upgrade when it comes to the LAVA ME 3 is the iPad-esque tablet which is integrated directly into the top surface of the guitar. This tablet is what effectively transforms the ME 3 from a regular semi-acoustic guitar into a smart guitar … making it possibly the very first guitar to have its own dedicated operating system – and while that sounds incredibly fancy, in fact, this is probably the most revolutionary feature that a guitar could have.

The 3.5-inch touchscreen interface runs LAVA’s HILAVA operating system, equipped with a myriad of apps that let you do everything from melody to learning to practicing, the jam, the performance, the composition and even the recording. While there is a lot to unbox out there, the guitar itself is still quite traditional in its operation. You can use it as an acoustic instrument, play the guitar as if it were a regular wooden Spanish guitar, or you can “turn it on” and let the guitar’s internal speakers play your music. with amplification, just like an electric guitar. Internal speakers pump music out of the staggered acoustic chamber hole, or vice versa, the LAVA ME 3 even sports a traditional 1/4 inch audio output like most electric guitars, allowing you to hook it up to an amp. external.

On the most exciting feature of LAVA ME 3 – its “computer”. The touchscreen is 3.5 inches diagonally (roughly the same as an iPhone 4) and runs on LAVA’s own HILAVA operating system which packs a treasure trove of features. Right off the bat, the touchscreen lets you do basic things like providing a metronome and helping you tune your guitar (even to alternate chord arrangements), but it also unlocks a bunch of other features, including as a tutorial machine that lets people learn notes, scales, arpeggios, chords and even songs. A built-in microphone can even track progress in real time, alerting you when you’ve made a mistake and ensuring you’re hitting all the right notes. The LAVA ME 3 practice app turns the guitar into a teacher, helping novices learn the chords of their favorite songs while guiding them through chord transitions, strumming patterns and scales… all skills needed to move from hobbyist to seasoned veteran.

For seasoned veterans, the LAVA ME 3’s touchscreen works much like a built-in Digital Audio Workstation (DAW) to let you experiment with effects, loops, and even multitracks. The Effects app is an ever-expanding library of filters and effects that you can layer over your sound (to make the guitar sound effectively like any instrument you want), and you can also modulate each individual parameter, equalizer to frequency, envelope, etc. Once you have the sound you want, you can either jam to preset background music preparations (almost like karaoke on a guitar) or create your own by designing loops, layering samples, remixing songs. riffs and creating multitrack arrangements … all without a laptop, phone or a single cable. The guitar handles everything in-house and even lets you record your sets and export them as stems or tracks, or even share them with LAVA’s own online community of budding artists and musicians.

The smart guitar retails for $ 999, which sounds absolutely wacky at first, but makes sense when you realize what you pay for. It’s not just the carbon fiber outer body, the semi-acoustic nature, the touchscreen or this diverse ecosystem of features housed in the HILAVA operating system, it’s all combined, effectively transforming the guitar into a single piece of equipment that replaces any other musical equipment you would need, from amplifiers to microphones, expensive pedals, software or even a guitar teacher for that matter! The LAVA ME 3 also comes with a built-in 8000mAh battery which provides a full 9 hours of continuous playing time or 2 weeks of standby… although when discharged it can still be used as a regular acoustic guitar. The ME 3 also sports a USB-C charging port on the side (right next to the 1/4-inch audio input), and if all that jazz wasn’t fancy enough, LAVA also sells a wireless charging dock. $ 129 ultra-futuristic wire for your fancy smart guitar!

Designer: LAVA


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Holiday Guitar Songs – Guitar Girl Magazine https://micgillette.com/holiday-guitar-songs-guitar-girl-magazine/ Fri, 24 Dec 2021 02:02:16 +0000 https://micgillette.com/holiday-guitar-songs-guitar-girl-magazine/ IIt’s that time of year again, and this time around I think we can all agree that things still look a little different. 2020 gave us a pretty strange hand, changing so many aspects of our lives and the holidays were no exception. It’s hard to believe we are in the Global Pandemic Holiday Season […]]]>

IIt’s that time of year again, and this time around I think we can all agree that things still look a little different. 2020 gave us a pretty strange hand, changing so many aspects of our lives and the holidays were no exception. It’s hard to believe we are in the Global Pandemic Holiday Season (part 2), but here we are!

While we still can’t snuggle up with our loved ones this year – for fear of spreading more than holiday cheer – we can still pull out that beloved guitar and strum some holiday classics.

Are you finally traveling to see your family this year? Maybe you skip the trip and have another Zoom Christmas? Whatever your plans, we’ve compiled some of our favorite seasonal songs that should make you want to put on a live performance for the aunts and uncles or join in long distance Christmas carols with the grandchildren. .

Frosty the snowman

Frosty the Snowman – Gene Autry

Originally made famous by Gene Autry and the Cass County Boys in 1950, Frosty The Snowman was elevated to vacation legend with numerous animated film adaptations, most notable being the beloved television special from 1969 with Jimmy Durante and Jackie Vernon. Guitar Tricks instructor Caren Armstrong teaches this fun holiday classic with a great chick scratching pattern and a bass run.

Jingle bell rips

Jingle Bell Rock / Bobby Helms 1957

First published by Bobby Helms in 1957, Jingle Bell Rock has graced America’s radio waves since every holiday season. Its status as one of the best-selling holiday songs of all time makes it the perfect choice for your next song to sing – everyone should know the lyrics! In this lesson, instructor Mike Olekshy will dive in and teach you every part of this winter classic.

Singing bells

Dwight’s Christmas Rock – The Office EN

Since we’ve all heard Trans-Siberian Orchestra perform their high octane adaptation, I think it’s safe to say that we’re now associating Carol Of The Bells with a heart-wrenching electric guitar. If you agree, you’ll love this tutorial in which Guitar Tricks instructor Christopher shows you all the rock electric guitar parts of our arrangement of the holiday classic – from silent intro volume ups to harmonized melodic lines and soaring solos.

Christmas classics for beginners

Jingle Bells Guitar Lesson – Christmas – Acoustic Guitar Lesson – Guitar Tips 34

This one is a “13 for 1” chord because there are so many classic holiday songs that can be played with simple chords that I think we would be doing your holiday joy-making abilities a disservice by not doing them. not including. In this packed tutorial, Lisa McCormick, Guitar Tricks instructor, will show you how to play 13 holiday classics with just three chords. You may need to use a capo to adjust the key of each song to your voice, so keep one handy.

Daniel Butler is a writer for Guitar Tricks and 30 Day Singer

Fender Collection 2 from IK Multimedia


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Celebrate TB-303 and get a free Baby Audio plugin with Computer Music number 303! https://micgillette.com/celebrate-tb-303-and-get-a-free-baby-audio-plugin-with-computer-music-number-303/ Wed, 22 Dec 2021 16:50:09 +0000 https://micgillette.com/celebrate-tb-303-and-get-a-free-baby-audio-plugin-with-computer-music-number-303/ In the latest issue of Computer Music (January 2022), we’re celebrating that we’ve reached angel number 303 the only way we can: by celebrating all that is Roland TB-303! We take a look at the iconic Roland dancing bass machine and recreate its sound using Zebra CM (free with the magazine), all the while exploring […]]]>

In the latest issue of Computer Music (January 2022), we’re celebrating that we’ve reached angel number 303 the only way we can: by celebrating all that is Roland TB-303!

We take a look at the iconic Roland dancing bass machine and recreate its sound using Zebra CM (free with the magazine), all the while exploring its history and some of the best 303 software emulations on the market. We have tutorials on recreating the famous 303 sounds and reveal the ten 303 tracks you must listen to… right now!

Free stuff!


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Band’s special “Last Waltz” edition announced https://micgillette.com/bands-special-last-waltz-edition-announced/ Thu, 16 Dec 2021 13:36:33 +0000 https://micgillette.com/bands-special-last-waltz-edition-announced/ The last Waltz, Martin Scorsese’s film about the group’s last concert in 1976, will be released in a new special edition on March 29 as part of the Criterion Collection. Approved by Scorsese himself, the set includes a restored 4K version of the 1978 film supervised by guitarist Robbie Robertson. It is presented with a […]]]>

The last Waltz, Martin Scorsese’s film about the group’s last concert in 1976, will be released in a new special edition on March 29 as part of the Criterion Collection.

Approved by Scorsese himself, the set includes a restored 4K version of the 1978 film supervised by guitarist Robbie Robertson. It is presented with a new cover as well as 5.1 and alternative stereo soundtracks, two audio commentaries, a new interview with Scorsese, a creation documentary from 2002, shots, promotional material of the original version and an essay by critic Amanda Petrusich. The standard edition includes a single Blu-ray disc and another version contains a 4K UHD disc with the movie in Dolby Vision HDR.

“More than one of the greatest concert films ever made, The last Waltz is an ecstatic yet elegiac summary of a vital era in American rock music, ”Criterion said in a statement. “Enlisting seven camera operators… Scorsese created a grand immersive experience that brings viewers on stage and inside the music itself. This music – as performed by the band and a host of other generation-defining artists, including Bob Dylan, Joni Mitchell, Van Morrison, the Staple Singers, Muddy Waters, and Neil Young – remains an almost religious expression of transcendent possibilities. rock n Roll. “

Speaking in 2019, Scorsese recalled how the project grew out of discussions with Robertson and how they decided to push the technological boundaries. “Shooting in 35mm for this kind of event just wasn’t done,” he said. “It was too delicate; the sync motors would fail, the cameras would run out of film. You have to ride [cameras], you have to design the whole thing so that the cameras don’t move. The gig turned out to be around seven hours, so that was quite one thing!

The new edition of The last Waltz is available for pre-order now, with 30% off in December.

Top 100 Live Albums

Rock’s Top 100 Live Albums are more than just concert memorabilia or stage documents from that awesome show you saw last summer.


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Unplugged VR PC with impressions from Valve’s index controllers https://micgillette.com/unplugged-vr-pc-with-impressions-from-valves-index-controllers/ Wed, 15 Dec 2021 16:16:34 +0000 https://micgillette.com/unplugged-vr-pc-with-impressions-from-valves-index-controllers/ The PC VR version of Unplugged is still worth a look, but the delicate controller tracking makes the Quest version the better of the two. Read on for our impressions! Against all odds, Unplugged on Quest is a triumph of sorts. As we said in our release review in October, the game handles surprisingly well […]]]>

The PC VR version of Unplugged is still worth a look, but the delicate controller tracking makes the Quest version the better of the two. Read on for our impressions!

Against all odds, Unplugged on Quest is a triumph of sorts. As we said in our release review in October, the game handles surprisingly well with manual headphone tracking, allowing you to strum through a solid setlist, without a controller. It was undoubtedly held back by the limitations of this tracking technology, but it still made for a good time which will hopefully only get better as new hardware arrives.

The PC VR version of the game isn’t quite the same story, although by no means was it a train wreck.

Unplugged PC VR prints

Unplugged is coming to SteamVR with support for Valve Index controllers (which, as you might have guessed, are decidedly not controllerless). The same finger-tracked gameplay is in place, requiring you to hold your numbers on a corresponding color in different places on a fretboard and then strum it with your other hand. The handle and trigger on Index controllers have touch sensors, so in theory it knows when you are holding a given finger.

I expected the game to be weird with controllers in hand, but hadn’t considered some of the benefits of this approach. First off, you have a better idea of ​​holding the guitar with a controller in hand, which makes the experience a bit more tactile. The biggest benefit, however, is the small vibration you will feel when you strum the strings, which gives you a much better idea of ​​making a connection with the guitar when you strum.

The real concern, however, was whether the Index controller finger tracking would be able to perform as well as the hand tracking on Quest. Historically, I haven’t had much experience with my own Index controllers on this front. My hands aren’t huge and when playing Half-Life: Alyx I often found that holding my pinky finger would bend it as well as the finger next to it on virtual hand models, for example. It was boring, but it wasn’t crucial for the gameplay.

However, such issues just couldn’t fly with Unplugged. Fortunately, it looks like developer Anotherway and publisher Vertigo Games are fighting this directly. While that doesn’t tell you in the tutorial (which is just a modified Satchel version of the Steel Panther’s Quest intro with the manual tracking calibration segment cut out), the PC VR version does offer a “calibration dynamic ”, which prompts you to drum the fingers of your hand fret along the grip of the controller before the start of a song. This gives you a good idea of ​​the position of your fingers and suggests that the game is trying to explain its own potential mistakes.

Screenshot 2 disconnected

And the game certainly remains playable. I’ve tackled a handful of opening songs on Easy and Hard difficulty and generally found that I can keep up with the chord changes quickly for the most part, and the song mapping seems to be the same from track to track. the other. But as I studied my hand through these parts, I noticed times when the fingers didn’t drop or extend fully on command and forced me to try again, costing me notes and combos. Okay, it all depends on the size of my hand; those with bigger hands might find the experience more accurate. But, generally speaking, I found myself having to spend more time focusing on where and how I was pressing my fingers than on Quest. It’s also a bit odd that your index finger is held in a different place than the rest of your fingers because of the trigger, although I found that I got used to it pretty quickly.

Controllers also detract from Unplugged’s brilliant accessibility. The great thing about the Quest version is that you can hand the headset over to just about anyone and let them take it on their own, but it’s not as immediately graspable with a controller in hand. It won’t be a problem for dedicated gamers, of course, but the standalone version is without a doubt the more impressive and easier to show of the two.

Unplugged on PC VR therefore has its ups and downs. From what I’ve seen, it’s certainly not unplayable, and the developers seem to have done a decent job of taking into account at least some of the Index controller’s shortcomings. But, even with the added benefit of tactile feedback, we still recommend the Quest version as a way to play the game as it is generally more accurate and delivers the Unplugged experience as originally intended. Hopefully we’ll see a popular headset that can provide accurate PC VR hand tracking soon, as it would put this version of the game on par with Quest.

Have you played Unplugged on PC VR? Let us know what you think in the comments below.


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Imaginaria Review | Adventure players https://micgillette.com/imaginaria-review-adventure-players/ Mon, 13 Dec 2021 16:36:46 +0000 https://micgillette.com/imaginaria-review-adventure-players/ Antarctica has always been a fascination for me. The only continent on the planet where humans had never established permanent settlements until recently, it is a massive, largely untouched landscape filled with natural wonders. Under the Antarctic Treaty, countries can create research posts, but cannot claim the land as their own, nor use it for […]]]>

Antarctica has always been a fascination for me. The only continent on the planet where humans had never established permanent settlements until recently, it is a massive, largely untouched landscape filled with natural wonders. Under the Antarctic Treaty, countries can create research posts, but cannot claim the land as their own, nor use it for military purposes. So despite the dangerous conditions, scientists and explorers from all over the world come together, cooperating towards a common goal, depending on each other to survive on the mysterious frozen continent.

Imaginary is the semi-fictional story of a young man working as a technician on an Antarctic base. The game draws on the first-hand experience of one of Orbis Tertius Games’ co-founders, guiding players through a routine small camp security check. It’s a fascinating snapshot of life below zero, chronicling the loneliness and banality of living in such a secluded place, while describing the beauty of this strange land. It’s just a snapshot – a short story at most, with a decidedly minimalist aesthetic. Yet in its brief runtime, the narrative effectively communicates a real slice of life that most of us will never experience.

The word “Imaginaria,” as the unnamed protagonist states in the game’s opening, comes from a Latin term representing both the night watchman and the night watch act. You play as such a night watchman as you prepare for your titular duties overnight at a remote science outpost. Several buildings must be checked to ensure they are not on fire – a real concern in Antarctica, where any loss can be catastrophic in such a remote location. It might sound trite, but it’s a smart and efficient way to show players what life is like on base, with your character’s comments conveying information about each building as you go on patrol.

Presented as a slideshow, the game can be fully controlled by mouse, clicking environments, and dialogue, although the space bar can also move conversations forward. You start in the protagonist’s current dwelling, a small dome-shaped fiberglass shelter. Here you pick up the necessary equipment for traveling outdoors (boots, jacket, etc.), getting a brief summary of the importance of each item. You will also get a lot of secondary details that are not essential to your Imaginaria tasks, such as why so many windows are covered in cardboard.

You have the opportunity to meet several other characters at your own pace, each offering a better insight into the social structure of the outpost. A friendly scientist in the lab next to your accommodation, for example, asks you to raid the kitchen while you’re outside and bring him some of the “goodies” (i.e. food. over four years old), and you can decide what to earn from several different items. Your choices in the few seemingly unimportant questions like these don’t change the world, but they do offer some insight into the impact they have on the lives of people in such a small, remote community. You’ll learn that the team’s day-to-day problems aren’t so much about freezing the cold, but more about the challenge of staying busy through the perpetual night. The protagonist recounts things like being tasked with hosting a movie night but stopping after interest wanes, in part due to an overly eclectic film choice.

Food is heavily rationed here and has expired often, but it’s just an accepted part of basic life. However, the team must deal with more gruesome issues, like when one of the researchers died and his body had to be stored in the freezer until the next ship arrived. The cook refused to go into the freezer the entire time the body was there, meaning the camp had to rely solely on canned food for that stay. While there aren’t any plot twists, or even a particular climax, the individual stories told are often intimate, depicting a day (or night) in the lives of single people making the most of it. their time.

Imaginary adheres to a pseudo 8-bit graphics style, with environments and objects composed of black and white pixel art, with the night sky providing the only limited source of animation with its twinkling stars. Arrows indicating where you can move are installed on the screen, and objects you can interact with are highlighted when you move the cursor over them. The pixels are large, and the gaming area is quite small, confined to a central square with large borders on both sides, although none of the hot spots are difficult to discern. Some can be mysterious until you click on them, but it is never a stretch to see what block constructions are meant to represent.

The first person point of view certainly works to immerse you in every scene, and the feeling of loneliness is maintained even when you meet other characters, who are not shown in the game. On the contrary, the text that s’ performs at the base of the screen communicates when they speak while the backdrop remains unchanged. The Game Boy-esque look and deliberately reduced screen area also nostalgically played on my childhood memories of sitting in the backseat of a car on long drives, trying to entertain myself with a handheld console. . It’s a clever use of the minimalist visual style, channeling the same stifling sense of boredom through long periods of loneliness the protagonist must be feeling.

The game doesn’t have a map feature, and while it’s hard to get lost in a handful of places, using the arrows to travel between areas sometimes flipped me, wondering if I went “in”. down “or” to the left “to reach a certain place, eg. Other than the logbook in the main building, there is also no visual record to refer to regarding any buildings you have inspected or have yet to find, which caused me to wander for about five minutes towards the end of the game, trying to figure out what I had missed.

While the main focus of the game is the checklist of the buildings you need to patrol, there are a few little puzzles along the way, although to call them that is a bit of a stretch. It’s more in the spirit of collecting items as a way to progress to new parts of the base, like the aforementioned skidoo key. Once you’ve gone through all the required areas, you can return to your accommodation, prompting the game to end. From start to finish, the experience took me just under forty minutes, but a few selected choices could provide a reason to replay the game, even if the reward is just a handful of new lines of text.

The majority of playing time is marked by melodic guitar and piano tunes, while subtle effects like wind and the crackle of ice over a body of water can sometimes be heard outdoors. . Coupled with the austere monochrome palette, the game exudes a sufficiently cool, yet comfortable aura. There is no voice, although the text is accompanied by typing effects as it appears.

There is no tutorial, and it was only after the fact that I found out that there appears to be a save system (the game has options to continue or to start a new game at startup). However, even then I wasn’t sure how to turn it on, so presumably it’s an auto-record feature that records itself at different times. Imaginary is so short that I completed it in one sitting anyway, so it’s not much of a commitment, but it’s weird to leave basic user-friendly functionality a mystery. I encountered a few other quirks while playing, like not being able to use F12 (in Steam) to take screenshots. I also had to ALT-F4 to exit the game, as the end screen did not prompt for any exit.

Imaginary is both an educational and immersive look at the often mundane life of those who brave positions in one of the most remote places on Earth. It could easily have been too calm, too boring to care, but the writing is effective, giving the protagonist just enough personality to make the affair feel like an interactive tour, while not being so overbearing as players cannot project themselves into the role. The artistic design is sure to evoke a sense of nostalgia among longtime gamers, while effectively creating a sense of extreme cold, darkness and seclusion. There isn’t much of a challenge and the playing time is very short, but if you’re okay with playing a more or less linear visual novel, the game is sure to instill in players the same feelings as the developer experienced it when stationed there.

WHERE CAN I DOWNLOAD Imaginaria

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Badfinger’s Straight Up album creates a sensation 50 years later https://micgillette.com/badfingers-straight-up-album-creates-a-sensation-50-years-later/ Sat, 11 Dec 2021 23:04:42 +0000 https://micgillette.com/badfingers-straight-up-album-creates-a-sensation-50-years-later/ Despite struggles with their record label and crooked manager, power-pop pioneers Badfinger have shattered their landmark Directly album in December 1971. Swansea in Wales remembers its cursed rockers. In 2013, the city unveiled a plaque for Badfinger frontman Pete Ham. The girl he never met was there. The four Anglo-American hits of the Anglo-Welsh quartet […]]]>

Despite struggles with their record label and crooked manager, power-pop pioneers Badfinger have shattered their landmark Directly album in December 1971.

Swansea in Wales remembers its cursed rockers. In 2013, the city unveiled a plaque for Badfinger frontman Pete Ham. The girl he never met was there.

The four Anglo-American hits of the Anglo-Welsh quartet were also staples of Australian AM radio. At the time, in 1972, these songs were brought together in a special Australasian EP. Two of them thanks Directly; Ham’s ‘Day After Day’ and ‘Baby Blue’.

Ham-Tom Evans’ best-known composition “Without You” has attracted nearly 200 recorded covers, including the 1993 Grand Ballad for Mariah Carey and the soft rock of Australian Air Supply.

There is also a sinister Down Under connection. The manager of the scammer who took on Badfinger – Ham and later Evans committed suicide – also defrauded racing champion Peter Brock.

The 2013 TV hit finale breaking Bad introduced ‘Baby Blue’, popularizing it for a new generation. Here is a band at the top of their game, unraveling three and a half minutes of power-pop euphoria, with Mike Gibbins blasting the drums.

And here’s a British guitarist today, with a serious tutorial on the hooks and harmonies that make him memorable.

“I guess I got what I deserved” Cham confesses, “I made you wait there too long my love.” The atmosphere on Directly is emotional, bittersweet. “I look out of my lonely room” as Ham also has, “day after day”.

Back-up tuner Joey Molland lights up and lights up the proceedings with ‘Sweet Tuesday Morning’.

It was Badfinger’s third album for the struggling Apple Records label The Beatles. The company returned them through three different producers. The one in the middle was the Beatle George Harrison. The Evans-Molland ‘Flying’ has a Beatles feel to it.

Another Beatle, John Lennon, imagined:

“… all people living in peace. You can tell I’m a dreamer. “

With his line “Perfection”, Ham pushes the social conscience of the time in another direction.

More aligned with today’s realpolitik:

“There is no such thing as a good revolution, just power that changes hands.

There is no real perfection, there will be no perfect man.

So listen to my song of life, you don’t need a gun or a knife.

Pop music is full of weird coincidences. A rare cover of ‘Perfection’ comes from another great evil composer – American folkie Tim Hardin (If I Were A Carpenter).

Getting through the pandemic: the value of music lyrics

While Ham’s epic ballad, ‘Name of the Game,’ finds him in an ominous confessional mode:

“Oh comfort me dear brother won’t you tell me what you know

Because somewhere in this painful world is a place I can go.

Oh, don’t refuse me, if you choose me, you will follow my shame.

The passionate opening of the album is “Take It All” by Ham. But Evans ends with “It’s over”: “thank you people, but it’s too much to stay”. Yet they persevered.

Directly was a hit from the first release, including in Australia. Worldwide, it has attracted five dozen LP and CD reissues over the years.

Badfinger’s next and final Apple album was a disappointment. They turned to the American label Warner Records. British producer Chris Thomas brought them back to their best, during the Wish You Were Here sessions in 1974. All four members contributed original songs.

Australia's music scene sinks deeper into poverty

Although initial sales were promising, Warner abruptly withdrew this album, following a lawsuit. As a result, the group’s contractual and financial frustrations worsened. In early 1975, Ham committed suicide, directly blaming the group’s manager. The group collapsed.

We will never know how Ham would have reacted to the unleashed punk-rock music the following year. We know that power-pop groups resonated in the 1970s, and their echoes still carry today. For example, check out this Spotify list or the new version of Melbourne Perennial Even.

After 1975, Badfinger regrouped intermittently. It wasn’t the same magic. The band’s 1970-74 albums capture their essential songs.

Stephen Saunders is a former public servant, consultant and reviewer for the Canberra Times.

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Top 18 Songs Fret Zealot Users Learned To Play Guitar In 2021 https://micgillette.com/top-18-songs-fret-zealot-users-learned-to-play-guitar-in-2021/ Tue, 07 Dec 2021 16:00:00 +0000 https://micgillette.com/top-18-songs-fret-zealot-users-learned-to-play-guitar-in-2021/ This article is sponsored by Fret Zealot Even if you are just beginning your guitar playing adventure with Fret Zealot, millions of players around the world have already taken advantage of the robust learning platform and all that it entails. With another year almost behind us, Fret Zealot looks back on the top artists, songs, […]]]>

This article is sponsored by Fret Zealot


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Even if you are just beginning your guitar playing adventure with Fret Zealot, millions of players around the world have already taken advantage of the robust learning platform and all that it entails. With another year almost behind us, Fret Zealot looks back on the top artists, songs, and courses gamers enjoyed the most in 2021.

Top 8 Fret Zealot artists in 2021


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Considering that Fret Zealot is all about learning how to master the guitar, it’s no wonder 2021’s most popular artists are rock and roll royalty. From the recognizable styles of Angus Young to the menacing sweeps of Zak Wylde, here are Fret Zealot’s most popular artists over the past year:

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  1. AC DC
  2. Metallica
  3. Led Zeppelin
  4. Guns N ‘Roses
  5. Aerosmith
  6. Black sabbath
  7. Lynyrd skynyrd
  8. Santana

Top 18 Fret Zealot songs in 2021


Back in black

The above artists are known for many hits throughout their careers, but these are a handful of songs that Fret Zealot users liked or recorded the most. These are the 18 most popular songs of the last year. Good luck that none of them get stuck in your head.

  1. Back in Black – AC / DC
  2. Stairway to Heaven – Led Zeppelin
  3. Thunderclap – AC / DC
  4. Highway to Hell – AC / DC
  5. Hotel California – Eagles
  6. Nothing Else Matters – Metallica
  7. Hells Bells – AC / DC
  8. I wish you were there – Pink Floyd
  9. Sweet Home Alabama – Lynyrd Skynyrd
  10. Between Sandman – Metallica
  11. Smells Like Teen Spirit – Nirvana
  12. Dream On – Aerosmith
  13. Simple Man – Lynyrd Skynyrd
  14. Californication – Red Hot Chili Peppers
  15. Wanted Dead or Alive – Bon Jovi
  16. One – Metallica
  17. Sweet Child O ‘Mine – Guns N’ Roses
  18. Come as you are – Nirvana


Fret Zealot’s 10 Best Video Lessons of 2021


Sweet Home Alabama - LED

Some players can choose new songs by reading the tablature quite easily. Others may get a huge boost from Fret Zealot’s video tutorial library. These are the 10 best video courses that users watched in 2021.

  1. Back in Black – AC / DC
  2. Hotel California – Eagles
  3. Sweet Child O ‘Mine – Guns N’ Roses
  4. Sweet Home Alabama – Lynyrd Skynyrd
  5. Hells Bells – AC / DC
  6. Thunderclap – AC / DC
  7. Tennessee Whiskey – Chris Stapleton
  8. Shallow (from A Star Is Born) – Lady Gaga, Bradley Cooper
  9. Highway to Hell – AC / DC
  10. You rocked me all night – AC / DC

Other interesting Fret Zealot stats from 2021


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In addition to researching artists and learning songs, Fret Zealot offers a robust educational platform that teaches players how to master the basics of the guitar. In 2021, Fret Zealot’s most popular online course was the 30-Day Beginner Challenge.


Overall, players spent an average of 11 minutes and 50 seconds on each course. Perhaps unsurprisingly, the most popular days of the week for learning were Saturdays and Sundays. The most active users were based in the United States, followed by the United Kingdom, then France, Canada and Germany. Finally, the most popular lighting effects for the Fret Zealot guitar system were Rainbow, Bolt, and Sparkler.

Start now with Fret Zealot


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Ready to join the millions of Fret Zealot users who already have mastered the guitar in a way conventional lessons can’t? Prepare for success by saving $ 20 on a Fret Zealot LED Lighting System or Guitar Combo Pack when you use the promo code ANDROID at the register.

Bonus: Not only will the Fret Zealot LED system help you understand your instrument interactively, it will also turn your guitar into an impromptu Christmas tree. Happy Holidays!



Rainbow

We hope you like the items we recommend and discuss! AndroidPolice has affiliate and sponsored partnerships, so we get a share of the revenue from some of your purchases. It will not affect the price you pay and help us provide the best product recommendations.


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Killshot sound engineer launches cheat code to streamline recording process https://micgillette.com/killshot-sound-engineer-launches-cheat-code-to-streamline-recording-process/ Mon, 06 Dec 2021 04:41:00 +0000 https://micgillette.com/killshot-sound-engineer-launches-cheat-code-to-streamline-recording-process/ A sound engineer by the name of Ryan Prieur joins the ranks of legendary contributors to the Dallas music industry. Better known as Killshot, Prior has built an impressive resume over his 25 years. He has worked with Bobby Billions, No Cap, Key Glock, and Erykah Badu and graduated from the MediaTech Institute last year […]]]>

A sound engineer by the name of Ryan Prieur joins the ranks of legendary contributors to the Dallas music industry. Better known as Killshot, Prior has built an impressive resume over his 25 years. He has worked with Bobby Billions, No Cap, Key Glock, and Erykah Badu and graduated from the MediaTech Institute last year as a valedictorian. Now his mission is to help fellow engineers and producers to streamline the recording process.

Last November, Prieur released “Killshot’s Recording Cheat Code”, a stock model for ProTools.

“There are two main things to understand in the world of recording,” says Prieur. “The first would be the flow of signals. The second would be the staging gain. Signal flow is how far the audio travels. And then the gain staging is the volume at a given stage of the signal. I have [Cheat Code] set up, so even if you’ve never recorded in Pro Tools, or know nothing about it, it tells you what to target for your volume. It tells you how other engineers are using the signal flow or how you can take it and develop the signal flow.

“You can spend three hours on YouTube watching videos, or you can spend 30 minutes in my model and watch the tutorial I included.”

Prieur says that Cheat Code is designed “more like a blueprint” than a plug-in. It comes with step-by-step notes and instructions on each feature and audio kit, as well as color coding to help novice users navigate the software more easily and add finishing touches like reverbs and delays to their tracks.

Cheat Code has already become a favorite of producers and artists like J. White Did It, who produced “Savage” by Megan Thee Stallion & Beyoncé and MB Kace.

“I really like recording with [Cheat Code]”Says Kace.” It’s a quick recording process, and it’s always the sound I want. It really puts me in my zone when I’m in the booth.

Prieur’s passion for music began at a young age. As a child, he watched his drummer father play and imitated his playing on a “shimmering blue drum set” he had in his room.

In middle and high school, Prieur participated in the drumline and jazz band. While he liked to play percussion, he was more drawn to hip-hop music. He and a group of friends would later record hip-hop tracks in his house.

“It started with me just recording a few homeboys with us,” Prieur said. “We had a crappy $ 15 USB mic, and I had FL Studio on my computer. After enough times we get the end result of a song [recorded], I was like, “Yo, I think I could really learn how to do that.”

Prieur studied music production and audio engineering at the Mediatech Institute, a school founded by Russell Whitaker, who also founded the Dallas Sound Lab. In the late 90s and early 2000s, several artists recorded albums at the Dallas Sound Lab, including Badu, Destiny’s Child, and Stevie Ray Vaughan.

“Most of the time, if you’re going to work with an artist, he’s going to show you how many plaques he has, or how many Grammys he has (…) if he can do it and get that level of under the projectors, why not the engineer or the producer? – Ryan “Killshot” Prior

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Back then, Pro Tools and other types of recording software had just been introduced to the world, and only a handful of recording studios had the optimal equipment to seamlessly transition from tape recorders to computers. – Dallas Sound Lab being one of them.

“It was a turning point in music,” Prieur explains of this period, “when we had just moved from tape to Pro Tools. The number of facilities across the United States that had a million dollar setup was maybe 10 or 15. Texas just happened to be the middle ground between the East Coast and the West Coast. We were able to attract a lot of people to the city to record here because it was a middle ground for everyone to meet.

Prior also hosts a weekly livestream called Knowledge that kills on Twitch, where he talks to other producers and engineers and helps give them a platform. Like many people behind the scenes in the music industry, Prieur believes producers and engineers don’t get enough credit for their work.

Prieur hopes that Cheat Code will help artists understand the amount of work involved in recording and optimizing the sound of a single track.

“Most of the time, if you’re going to work with an artist, he’ll tell you in your face how many plaques he has or how many Grammys he has,” Prieur says. “It’s not a bad thing, but it’s just to say, if they can do it and get that level of projector, why can’t the engineer or the producer?” ”



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