Australian Community Radio Selections

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As Australia’s music scene continues to suffer from COVID-related lockdowns, community radio music directors and presenters across the country are shining a light on the best local talent circulating today.

As many of us adjust to a new sense of normalcy after 2020, Australian musicians still face huge limitations in the work opportunities to support and sustain their careers. The exhibition is bigger than ever and ironically harder to find in today’s media landscape.

The Australian Music Radio Airplay Project – better known as Amrap – provides a way for Australian musicians to broadcast on the many community stations that have long championed Australian music from all sides. Offering exposure often before anyone else, community radio is a strong and unique network sheltered from passing trends.

In this your deaf series, we’ll turn to the music directors and presenters at some of the amazing community stations across the country and get their latest favorite Australian musical finds from Amrap.

“Thank you for these seven songs, I found you at the right time and I never tire of living alongside the storm.”

Dana Scully, Music Coordinator for 4ZZZ-FM in Brisbane, continues this series with Australian music available on Amrap to help compile a playlist of the best local tunes circulating on community radio for you to get started with. full teeth. As Dana explains:

“I don’t think I want to ‘understand’ music. Likewise, I don’t want to know why it rains every time I’m sad. Being there, always at the right time with the right comfort, is more than I could ask for. And all these moments; when you walk home from a bus stop and go at a slower pace because that damn bridge has to be mentally yelled at – that’s more than I could ever ask for.

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“For a while I thought songs that aren’t confined in time were a rare genre – but I’m starting to realize that maybe that’s not the case. Perhaps what’s rare is that the kindness of strangers allows other strangers the space to explore what was, never could be, or is living now, through storytelling. When you stumble, fall, sink into a hole (Anne Boyer, hello) or get out. For all these selves, think in the present to stop and say, yeah, to hear that? In time with the storm inside? It was all worth it.

“Thank you for these seven songs, I found you at the right time and I never tire of living alongside the storm.”

Check out Pretty Girl’s “Arc”:

Pretty girl – ‘Arc’

What would a playlist be without a house song to escape to? After ‘Sun Phase’, Pretty Girl continues to wow us all at the station with their new single, released via Gallery Recordings. And we wouldn’t be here without the Naarm’s Club scene or the hours PG spent understanding Ableton / Garageband.

A real-time example of a result-based process in art. If something strikes you, maybe you should also learn how to use Ableton etc. There is a YouTube tutorial for everything!

Ruby Gill – “You should be doing this for a living”

Won’t you listen to me? / I know all the ins and outs of this industry / And he takes me by the hand / And he does what he loves, because he can / We don’t teach you that at school / But you don’t you don’t have to go back to his room with him“.

I don’t want to say anything because the songwriting of Naarm’s Ruby Gill songs quite frankly says, “I can’t afford therapy with the money they pay me to sing songs for free / So I let it walk on meI recommend you listen to this when doing the dishes (flood that sink!), When you leave the date earlier (cry on that scooter!), Hang freshly laundered clothes (retie that shirt!) – you understand.

Nerve damage – “Society made me sick”

Through Last Ride Records, Yugambeh / Bundjalung the latest EP from hardcore band Nerve Damage, Society made me sick, is an excellent triumph. The closer album and title track will no doubt remind you of when a friend asks you how you are doing and suddenly you both are venting your problems.

It was thanks to ND frontman Shaun Allen and guest voice Chloe Cox (possibly Empress) that a song about inner turmoil became a reminder of the purpose of this auditory lifestyle. A conversation about how we all live together. After all, that’s how hardcore (and all music) started, right?

Check out RinRin’s “Hellfire”:

RinRin – “hellfire”

Perth’s RinRin, just 20, fuses metalcore and pop to quickly create a discography on par with other beloved heavy bands in the industry. All I’m asking is if you could sweep me off the floor as I will no doubt be covered in sweat from the pointing finger and exorcising grief.

SO.Crates – ‘Beaut-I-Full World (feat. Kalala & Zima)’

In 2021 and all, in these times, it’s easy to focus on what we can’t change and forget about the dishes that need to be done – however, Naarm’s SO.Crates remind you of what matters. Released on Bedroom Suck Records, ‘Beaut-I-Full World’ is the refreshing hip hop track that would be nothing without jazz and funk.

Cazeaux OSLO says of the single: “We wrote this song before COVID-19, just around the time the world was already spiraling out of control with so many innocent black people dying needlessly in America, my homeland. The physical environment was showing more undeniable signs that our planet was suffering under the weight of human progress.

“Things seemed hopeless to me and to me creating art helps me cope with my personal feelings of helplessness when the issues that challenge the existence of life seem to be too important to resolve. I knew my feelings of anger and sadness couldn’t overshadow my hope for a beautiful world.

Sirens – ‘The Valley’

Friends, who does not like glorious beginnings! Naarm’s Sirens blend alternative indie rock with layers of shimmering guitar sounds to perfect their harmonious sound. If you take this chance, you will discover a song that is most likely to be found on the God help the girl Soundtrack, or a B-side of a psychedelic single from Julia Jacklin.

Discover “Story” by Dyan Tai:

Dyan Tai – “Story”

““ Story ”is a celebration of identity; especially now when it’s even more crucial to own the way our stories are told, ”says Dyan.

Eilish Gilligan’s ‘Narrative’ and ‘Someone Else’ are on the same level of production, which is phenomenal when you realize that this is a fully DIY project. And with Tai’s inclusion of traditional Asian instruments (Guzheng, Gamelan, and Taiko drums), ‘Narrative’ is elevated to a higher level that matches his impeccable falsettos perfectly. If you like synth-pop, hyper-pop is for you!

Wildheart – ‘Show me what it’s like to be worthless’

They’re local, phenomenal, and after including a content disclaimer for posts that share this song – they’re a reminder of why I fell in love with music in the first place. And even if it’s early, I’m calling it: the next LP by melodic hardcore band Wildheart will be a serious contender for AOTY. “Show me what it’s like to be worthless” only proves the point.

If you or someone you know is going through difficult times, assistance is available at: Beyond Blue 1300 224 636, Lifeline 13 11 14, Kids helpline 1800 551 800 The Butterfly Foundation 1800 334 673, or when called upon. ’emergency 000 ??

Check out our playlist of Australian community radio music selections:


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